Friday, November 14, 2014

Lest we forget what?



On our sleepy little island, Remembrance Day was observed in different ways. Groups gathered around radios to listen to the CBC, met at various memorial spots on the island, or, like me, congregated at the store for two minutes of silence, the playing of taps, and a cup of coffee. As the 11th hour approached, little boys chased each other around the parking lot while the adults stood in the sun and talked quietly about how high the lake is this year and whose apples are storing well. We moved into the market, and made our way past the deli counter to the tables where people gather daily for chats, meetings, and food. As I stood between the garden gloves and the magazine rack, I looked around at the dozen or so people and wondered about their war stories. This being Canada, the stories could have been from any number of countries.

Mine is from Germany and it is the story that I have shared with many students over the years during discussions of Remembrance Day.  I edit out the horrors of my grandmother's experience and focus on her children.

My father and his siblings lived in a boxcar and stole potatoes from the fields in order to survive after the Russian army threw them out of their home to use it as housing quarters. My grandfather had been conscripted, captured, and left to worry from his POW camp for the family he was not allowed to contact. 

I am very selective about what I tell students, but I want them to understand that we are talking about real people, to understand that peace is a gift which people in many parts of the world have had ripped away. I want them to take in the difficult concept that elsewhere in this world, people are born, live a lifetime, and die without ever knowing peace.

For me, Remembrance Day is a day of mourning for all the loss the world has suffered because we as a species have not evolved past war. It is also my annual marker to check and make sure that I have not forgotten and that I am doing my part to educate the next generation. A few days ago, the world marked the 25th anniversary of the fall of the Berlin wall. Many people watched the celebrations from either side of the West Bank Wall. Those who forget history are doomed to repeat it.

When I was a young adult, I learned about the internment of thousands of Japanese Canadians from the west coast. A young adult! How had I managed to get through an entire Canadian public education without knowing about our shameful past?
Teaching my students about the internment was my first real encounter with the story. I chose to teach A Child in Prison Camp by Shizuye Takashima and wondered why this was not a required component of study in Canadian History.

Here on Cortes, three Japanese Canadian families are mentioned in the local archives of the early years, although only one, the Nakatsuis, were living here at the time of the internment. In her book, Destination Cortez Island, A sailor's life along the BC coast (1999), June Cameron described "Jap ranch," as it was known, as a well-kept property. She called it, "aesthetically pleasing as well as tidy and purposeful" (p.200). June also had this to say about the Nakatsui family (she used a different spelling of the name than my research supplied):

As neighbours, they were courteous and well-liked, but after Pearl Harbour and the alleged sightings of submarines off the B.C. coast, even before the declaration of war, the locals became understandably nervous. The Nakasuis were evacuated to internment camps along with all Japanese people living on the coast, and the fruit from their orchard was left to rot. When we went by in the fall to pick some apples to take back to the city with us, we found their home stripped of belongings. Unwanted objects littered the ground. It made me ashamed to be a Canadian." (p. 199)

I told my Cortes Island students about the internment in general and we discussed it at length. But it remained a story from "out there." Not quite an abstract idea, but one they couldn't quite connect to. So, I led them out to the display board in the hallway where a picture of the island's first school bus was proudly displayed.


That truck, one of few on the island at the time, was also the vehicle used to transport the Nakatsui family from their home. As the children stared at the picture, I told them about our Japanese Canadian internment--and theory became reality.

Over the years, the elephants in the living room of our collective past have slowly begun to trumpet and I stand amazed and humbled by the stories from my First Nations neighbours, my Japanese Canadian neighbours, my Chinese Canadian neighbours . . . and on it goes.

Shame and guilt are useless, energy-draining emotions; knowledge is power. I want the next generation to be equipped with knowledge. And so . . .

In the summer of 2015, Salmonberry Publishing and I will be launching a middle-grades novel called Full Moon Lagoon.  I am very proud of this book. The story is an action-packed adventure set here on Cortes. It is my hope that the children for whom it was written will have a fun read, close the book and turn to an adult to ask, "Did the government really make all the Japanese Canadians move like that?"

Yes, they did.
And we must never forget.

Tuesday, October 28, 2014

Introducing . . . Cortes Art Space

Okay, you know how last time I said I was blogging when I should have been working on baseboards for the apartment? Well, the baseboards are done and so is the website for our new art space. (Patience, first I must pontificate sufficiently.)
Shanny and I have a home with two apartments in it. Since 2005, when we bought our home, we have endeavoured to provide a home for someone else here on our little island. We have made some wonderful friends this way, but in recent years with our local economy not recovering from the recession as it has elsewhere, we have had more broken leases than honoured ones. There just isn't any work here.
So, we decided that this must be a sign. If the most practical application of the space isn't working out for either party, why be practical?
As you know, I have used house-sitting as my way of getting writing retreats on the cheap. And that works for me, but the chances of landing in a really creative environment are not high.
We live in a very inspiring place, which begs the question; why do I need to leave paradise and find retreats? Short answer: the responsibilities and routines of daily life are the pieces of furniture blockading the door to my metaphoric room of creativity. (Nice, ya? Just thought of it.)
I'll still need to get off the island to find solitude, but the rest of the world should come here! (One at a time please. Line-up in an orderly fashion - you're in Canada, now.)
We live at a lake with a beautiful sandy beach. The ocean is a ten minute walk away. You can walk different beaches every day.
The apartment is now equipped with an easel, worktable, desk, yoga equipment, small but deadly fiction library and of course, a very comfortable living space, recently beautified by the art work of our dear friend, David Ellingsen. (Okay, go check him out, but then come back. I'm not done and you haven't seen the apartment yet.) http://www.davidellingsen.com/
Did you check out "Obsolete Delete"? No? Go back. It's under Environmenal 1.
See? When I grow up, I'm gonna own that whole collection.
Okay, back to the apartment. It's lovely and it looks out over the lake and has its own yard and deck and if anyone is really needing a doggy-snuggle, we'll let you borrow Jedidiah Wiggle-bottom Happy-feet Puddle-jumper Jonassen. You can call him Jed. (Springer/Golden with a very big heart).
Point is, we have a great place and we want to share it with artists. Seriously, if you can't get inspired on Cortes Island, you're just not trying.
Alright, you have been most patient and you may go look at the website now, and consider this your official invitation. Come and write or paint or think about painting or write about thinking or . . .
http://www.cortesartspace.com/

p.s. Jed is really into yoga.